Lentement Aplati par la Consternation: Comics as Utterances. The Arrival: Parataxis and Hypotaxis in Silent Comics. Cohesion and Textual Organisation in Picture Books. What Makes Comics One Text Rather Than Many?. Mood, Modality, Modalisation and Modulation. Giving Goods-and-Services: What Do Comics Offer?. Demanding Goods-and-Services: Instructions and Actions. Interactions with the Reader: ‘Games Comics Play’. Verb Supply: ‘Blending’ Words and Pictures. Abstract Line: The ‘Lexicon of Comicana’. Difference Leads to Implicature: McCloud’s ‘Invisible Art’. Participants Imply Processes: Composition. Four Approaches to Rendering the Process.
On the Nature of the ‘System’ in Comics Texts. A Functional Approach to Graphic Narrative. Miodrag’s Critique of Languages of Comics.
Cohesion: What Makes a Comic One Text, Not Many?. Ut Pictura Poesis? Comics as Resources for Meaning-Making.
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